Brushed aside
| schema:name | "Brushed aside" |
| schema:creator | Charney, Noah |
| schema:author | Charney, Noah |
| schema:about | kunstgeschiedenis |
| kunstenaarsbiografieën (vorm) | |
| kunstenaressen | |
| <n8d187cce23904f9bbaae4519e216ec26b1> | |
| <n8d187cce23904f9bbaae4519e216ec26b2> | |
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| <n8d187cce23904f9bbaae4519e216ec26b5> | |
| schema:abstract | ""How many female artists can you name? Artemisia Gentileschi, Frida Kahlo, Georgia O'Keefe? Here's a 360-degree look at the role women have played in art history, including the influence and empowerment of women through art beyond those who have taken up a brush or a chisel"-- Provided by publisher."@en |
| schema:identifier | <n8d187cce23904f9bbaae4519e216ec26b6> |
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schema:in |
"eng" |
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schema:subject |
<n8d187cce23904f9bbaae4519e216ec26b7> |
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schema:work |
Brushed aside: the untold story of women in art |
schema:about →
<n8d187cce23904f9bbaae4519e216ec26b5>
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schema:alternate |
"Women artists" |
schema:about →
<n8d187cce23904f9bbaae4519e216ec26b4>
|
schema:alternate |
"Women artists" |
schema:subjectOf →
<n8d187cce23904f9bbaae4519e216ec26b7>
| schema:text | Foreword / Ingrid Rowland -- Part one. The movements without men. Renaissance to Realism -- Salons and academies -- Concept and statement -- Performance and feminism -- Part two. Beyond the creators. Courtly patrons and collectors -- Modern influencers -- Critics and scholars -- Afterword / Marina Abramović. |
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schema:additional |
aat:300195187 |
schema:about →
<n8d187cce23904f9bbaae4519e216ec26b1>
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schema:alternate |
"art history" |
schema:about →
<n8d187cce23904f9bbaae4519e216ec26b2>
|
schema:alternate |
"Art--History" |
schema:about →
<n8d187cce23904f9bbaae4519e216ec26b3>
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schema:alternate |
"Art" |
schema:identifier →
<n8d187cce23904f9bbaae4519e216ec26b6>
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schema:property |
"NL-AmRIJ" |
| schema:value | "332330" |