@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/300332330> a ns1:CreativeWork ;
    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "art history" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art--History" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Women artists" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Women artists" ],
        <https://id.rijksmuseum.nl/320126566>,
        <https://id.rijksmuseum.nl/320129816>,
        <https://id.rijksmuseum.nl/320129832> ;
    ns1:abstract "\"How many female artists can you name? Artemisia Gentileschi, Frida Kahlo, Georgia O'Keefe? Here's a 360-degree look at the role women have played in art history, including the influence and empowerment of women through art beyond those who have taken up a brush or a chisel\"-- Provided by publisher."@en ;
    ns1:author <https://id.rijksmuseum.nl/310146242> ;
    ns1:creator <https://id.rijksmuseum.nl/310146242> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "332330" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "Brushed aside" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "Foreword / Ingrid Rowland -- Part one. The movements without men. Renaissance to Realism -- Salons and academies -- Concept and statement -- Performance and feminism -- Part two. Beyond the creators. Courtly patrons and collectors -- Modern influencers -- Critics and scholars -- Afterword / Marina Abramović." ] ;
    ns1:workExample <https://id.rijksmuseum.nl/301332330> .

