Gyorgy Kepes
| schema:name | "Gyorgy Kepes" |
| schema:creator | Blakinger, John R. |
| schema:author | Blakinger, John R. |
| schema:about | Kepes, György |
| beeldende kunst | |
| wetenschap | |
| <n8eacf7e922f349f1bb391ebb4371092db1> | |
| schema:abstract | "Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszlo Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation: the Cold War avant-garde."@en |
| schema:identifier | <n8eacf7e922f349f1bb391ebb4371092db2> |
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schema:in |
"eng" |
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schema:subject |
<n8eacf7e922f349f1bb391ebb4371092db3> |
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schema:work |
Gyorgy Kepes: undreaming the Bauhaus |
schema:identifier →
<n8eacf7e922f349f1bb391ebb4371092db2>
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schema:property |
"NL-AmRIJ" |
| schema:value | "306491" |
schema:about →
<n8eacf7e922f349f1bb391ebb4371092db1>
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schema:alternate |
"Art and science" |
schema:subjectOf →
<n8eacf7e922f349f1bb391ebb4371092db3>
| schema:text | Preface: portraits of the artist -- Introduction: from the ivory tower to the control tower -- Camouflage aesthetics -- Patterns and puzzles -- Vision as value -- Darkness into light -- The military-industrial-aesthetic complex -- Artificial natures -- Epilogue: afterimages. |
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schema:additional |
aat:300195187 |