@prefix ns1: <http://schema.org/> .

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    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Art and science" ],
        <https://id.rijksmuseum.nl/31059553>,
        <https://id.rijksmuseum.nl/320126537>,
        <https://id.rijksmuseum.nl/320126596> ;
    ns1:abstract "Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszlo Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed \"interthinking\" and \"interseeing.\" Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation: the Cold War avant-garde."@en ;
    ns1:author <https://id.rijksmuseum.nl/310206864> ;
    ns1:creator <https://id.rijksmuseum.nl/310206864> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "306491" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "Gyorgy Kepes" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "Preface: portraits of the artist -- Introduction: from the ivory tower to the control tower -- Camouflage aesthetics -- Patterns and puzzles -- Vision as value -- Darkness into light -- The military-industrial-aesthetic complex -- Artificial natures -- Epilogue: afterimages." ] ;
    ns1:workExample <https://id.rijksmuseum.nl/301306491> .