The fertile ground of painting
| schema:name | "The fertile ground of painting" |
| schema:creator | Leonhard, Karin |
| schema:author | Leonhard, Karin |
| schema:position | "[12]" |
| schema:about | schilderkunst |
| mimesis | |
| natuur (motief) | |
| stillevens | |
| schema:abstract | "17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general."@en |
| schema:identifier | <n11bbfd9030fd4733b9afe1babb70e6b4b1> |
|
schema:in |
"eng" |
| "ger" | |
|
schema:is |
Harvey Miller studies in baroque art; |
|
schema:work |
The fertile ground of painting: seventeenth-century still lifes & nature pieces |
schema:isPartOf →
Harvey Miller studies in baroque art;
| schema:name | "Harvey Miller studies in baroque art;" |
schema:identifier →
<n11bbfd9030fd4733b9afe1babb70e6b4b1>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "305673" |