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    ns1:about <https://id.rijksmuseum.nl/320126584>,
        <https://id.rijksmuseum.nl/320130395>,
        <https://id.rijksmuseum.nl/320130644>,
        <https://id.rijksmuseum.nl/320132287> ;
    ns1:abstract "17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general."@en ;
    ns1:author <https://id.rijksmuseum.nl/31067919> ;
    ns1:creator <https://id.rijksmuseum.nl/31067919> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "305673" ] ;
    ns1:inLanguage "eng",
        "ger" ;
    ns1:isPartOf [ a ns1:CreativeWorkSeries ;
            ns1:name "Harvey Miller studies in baroque art;" ] ;
    ns1:name "The fertile ground of painting" ;
    ns1:position "[12]" ;
    ns1:workExample <https://id.rijksmuseum.nl/301305673> .