Darker shades
| schema:name | "Darker shades" |
| schema:creator | Stoichita, Victor I. |
| schema:author | Stoichita, Victor I. |
| schema:contributor | Trainor, Samuel |
| schema:about | beeldende kunst |
| cultuurgeschiedenis | |
| kunstfilosofie | |
| otherness | |
| <na823db316cc24992b58b12c4e5fe9744b1> | |
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| schema:abstract | "Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the "Other," Stoichita would have us ask, in such a crystalline, unchanging paradigm?"@en |
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schema:in |
"eng" |
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schema:work |
Darker shades: the racial other in early modern art |
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<na823db316cc24992b58b12c4e5fe9744b3>
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"Other (Philosophy) in art" |
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<na823db316cc24992b58b12c4e5fe9744b5>
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"Art, Renaissance--Themes, motives" |
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<na823db316cc24992b58b12c4e5fe9744b1>
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schema:alternate |
"Other (Philosophy) in art" |
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<na823db316cc24992b58b12c4e5fe9744b6>
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schema:property |
"NL-AmRIJ" |
| schema:value | "296752" |
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<na823db316cc24992b58b12c4e5fe9744b2>
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schema:alternate |
"Art, Renaissance--Themes, motives" |
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<na823db316cc24992b58b12c4e5fe9744b4>
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schema:alternate |
"Aliens in art" |