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    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Other (Philosophy) in art" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art, Renaissance--Themes, motives" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Other (Philosophy) in art" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Aliens in art" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art, Renaissance--Themes, motives" ],
        <https://id.rijksmuseum.nl/320126537>,
        <https://id.rijksmuseum.nl/320126539>,
        <https://id.rijksmuseum.nl/320129833>,
        <https://id.rijksmuseum.nl/320212980> ;
    ns1:abstract "Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the \"Other,\" Stoichita would have us ask, in such a crystalline, unchanging paradigm?"@en ;
    ns1:author <https://id.rijksmuseum.nl/310110065> ;
    ns1:contributor <https://id.rijksmuseum.nl/310202262> ;
    ns1:creator <https://id.rijksmuseum.nl/310110065> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "296752" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "Darker shades" ;
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