| schema:name | "Hard bodies" |
| schema:creator | Marks, Andreas |
| schema:contributor | Minneapolis Institute of Art |
| schema:about | beeldhouwkunst |
| lakkunst | |
| Japan | |
| <nbba36d8164124025b7230bbca1888275b1> | |
| <nbba36d8164124025b7230bbca1888275b2> | |
| <nbba36d8164124025b7230bbca1888275b3> | |
| <nbba36d8164124025b7230bbca1888275b4> | |
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| <nbba36d8164124025b7230bbca1888275b9> | |
| <nbba36d8164124025b7230bbca1888275b10> | |
| schema:abstract | "Since the Neolithic era, artisans in East Asia have coated bowls, cups, boxes, baskets, and other utilitarian objects with a natural polymer distilled from the sap of the Rhus verniciflua, known as the lacquer tree. Lacquerware was, and still is, prized for its sheen, a lustrous beauty that artists learned to accentuate over the centuries with inlaid gold, silver, mother-of-pearl, and other precious materials. This tradition has undergone challenges over the past thirty years. A small but enterprising circle of lacquer artists has pushed the medium in entirely new and dynamic directions by creating large-scale sculptures, works that are both conceptually innovative and superbly exploitive of lacquer's natural virtues. Featuring thirty works by sixteen artists, this handsome publication details the first-ever exhibition of contemporary Japanese lacquer sculpture in the United States, shown at the Minneapolis Institute of Art."@en |
| schema:identifier | <nbba36d8164124025b7230bbca1888275b11> |
|
schema:in |
"eng" |
|
schema:subject |
<nbba36d8164124025b7230bbca1888275b12> |
|
schema:work |
Hard bodies: contemporary Japanese lacquer sculpture |
schema:about →
<nbba36d8164124025b7230bbca1888275b9>
|
schema:alternate |
"Sculpture, Japanese--21st century" |
schema:about →
<nbba36d8164124025b7230bbca1888275b4>
|
schema:alternate |
"Plastik" |
schema:about →
<nbba36d8164124025b7230bbca1888275b6>
|
schema:alternate |
"Lacquer and lacquering--Japan--21st century" |
schema:about →
<nbba36d8164124025b7230bbca1888275b2>
|
schema:alternate |
"Sculpture japonaise--21e siècle" |
schema:identifier →
<nbba36d8164124025b7230bbca1888275b11>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "285688" |
schema:about →
<nbba36d8164124025b7230bbca1888275b1>
|
schema:alternate |
"Lackarbeit" |
schema:about →
<nbba36d8164124025b7230bbca1888275b5>
|
schema:alternate |
"Lacquer and lacquering--Technique" |
schema:about →
<nbba36d8164124025b7230bbca1888275b10>
|
schema:alternate |
"Sculpture--Technique" |
schema:about →
<nbba36d8164124025b7230bbca1888275b3>
|
schema:alternate |
"Vernis et vernissage--Japon--21e siècle" |
schema:about →
<nbba36d8164124025b7230bbca1888275b8>
|
schema:alternate |
"Sculpture--Technique" |
schema:subjectOf →
<nbba36d8164124025b7230bbca1888275b12>
| schema:text | Director's foreword -- Preface and acknowledgements -- Introduction -- Catalogue. Kofushiwaki Tsukasa ; Fujita Toshiaki ; Tanaka Nobuyuki ; Kurimoto Natsuki ; Matsushima Sakurako ; Sasai Fumie ; Muramoto Shingo ; Murata Yoshihiko ; Igawa Takeshi ; Aoki Chie ; Yokouchi Mie ; Ishizuka Genta ; Aoki Kōdō ; Yoshino Takamasa ; Sano Akira ; Someya Satoshi -- Artist chronologies -- Appendix: The production process for Aoki Chie's "Body 09-1 'Impact'" -- Japanese glossary -- Selected bibliography. |
|
schema:additional |
aat:300195187 |
schema:about →
<nbba36d8164124025b7230bbca1888275b7>
|
schema:alternate |
"Vernis et vernissage--Technique" |