Lacquer and lacquering--Japan--21st century
Since the Neolithic era, artisans in East Asia have coated bowls, cups, boxes, baskets, and other utilitarian objects with a natural polymer distilled from the sap of the Rhus verniciflua, known as the lacquer tree. Lacquerware was, and still is, prized for its sheen, a lustrous beauty that artists learned to accentuate over the centuries with inlaid gold, silver, mother-of-pearl, and other precious materials. This tradition has undergone challenges over the past thirty years. A small but enterprising circle of lacquer artists has pushed the medium in entirely new and dynamic directions by creating large-scale sculptures, works that are both conceptually innovative and superbly exploitive of lacquer's natural virtues. Featuring thirty works by sixteen artists, this handsome publication details the first-ever exhibition of contemporary Japanese lacquer sculpture in the United States, shown at the Minneapolis Institute of Art.
Director's foreword -- Preface and acknowledgements -- Introduction -- Catalogue. Kofushiwaki Tsukasa ; Fujita Toshiaki ; Tanaka Nobuyuki ; Kurimoto Natsuki ; Matsushima Sakurako ; Sasai Fumie ; Muramoto Shingo ; Murata Yoshihiko ; Igawa Takeshi ; Aoki Chie ; Yokouchi Mie ; Ishizuka Genta ; Aoki Kōdō ; Yoshino Takamasa ; Sano Akira ; Someya Satoshi -- Artist chronologies -- Appendix: The production process for Aoki Chie's "Body 09-1 'Impact'" -- Japanese glossary -- Selected bibliography.