A theory of the Tache in nineteenth-century painting

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schema:name "A theory of the Tache in nineteenth-century painting"
schema:creator Sjåstad, Øystein
schema:about schilderkunst
semiotiek
stilistiek
visuele concepten
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schema:temporalCoverage "1860-1910"
schema:workExample A theory of the Tache in nineteenth-century painting

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schema:alternateName "Painting--Semiotics"

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schema:alternateName "Painting, Modern--19th century"

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schema:text Introduction. To Overlook or to Over-look -- The Tache as a Sign Between Perception and Imagination -- A Theory of Sign Crossings -- The Tache Before Manet -- Manet's Tache. An Art of Inconsistency -- Cézanne's Field of Taches. Between Touch and Vision -- Seurat's Point and Signac's 'Not-Dot' -- Matisse's Farewell to the Tache -- Afterword. Eye and Hand.
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