@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/300237752> a ns1:CreativeWork ;
    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Painting--Semiotics" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Painting, Modern--19th century" ],
        <https://id.rijksmuseum.nl/320126584>,
        <https://id.rijksmuseum.nl/320131969>,
        <https://id.rijksmuseum.nl/320132286>,
        <https://id.rijksmuseum.nl/320132965> ;
    ns1:creator <https://id.rijksmuseum.nl/310169707> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "237752" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "A theory of the Tache in nineteenth-century painting" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "Introduction. To Overlook or to Over-look -- The Tache as a Sign Between Perception and Imagination -- A Theory of Sign Crossings -- The Tache Before Manet -- Manet's Tache. An Art of Inconsistency -- Cézanne's Field of Taches. Between Touch and Vision -- Seurat's Point and Signac's 'Not-Dot' -- Matisse's Farewell to the Tache -- Afterword. Eye and Hand." ] ;
    ns1:temporalCoverage "1860-1910" ;
    ns1:workExample <https://id.rijksmuseum.nl/301237752> .