Appearance, opinion, change: evaluating the look of paintings
| schema:name |
"Books"@en
|
|
schema:same |
aat:300028051 |
schema:subjectOf →
<nced42f4e0d5a41ad9f20337244f04355b6>
| schema:text | ill. |
|
schema:additional |
<http:/ |
schema:subjectOf →
<nced42f4e0d5a41ad9f20337244f04355b7>
| schema:text | Paper given at the conference held jointly by the United Kingdom Institute for Conservation and the Association of Art Historians, June 1990 |
|
schema:additional |
aat:300435416 |
schema:publication →
<nced42f4e0d5a41ad9f20337244f04355b2>
|
schema:start |
"1990"^^schema:Date |
schema:publication →
<nced42f4e0d5a41ad9f20337244f04355b5>
| schema:location | London |
schema:publication →
London: United Kingdom Institute for Conservation; 1990
| schema:name | "London: United Kingdom Institute for Conservation; 1990" |
schema:publication →
<nced42f4e0d5a41ad9f20337244f04355b4>
|
schema:published |
United Kingdom Institute for Conservation |
schema:publication :: schema:publishedBy →
United Kingdom Institute for Conservation
| schema:name | "United Kingdom Institute for Conservation" |
schema:publication :: schema:location →
London
| schema:name | "London" |