The image of the black in western art, IV: From the American revolution to world war I
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<n962aea2be2b948bc84357fc2d94ac57ab5>
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schema:start |
"1989"^^schema:Date |
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<n962aea2be2b948bc84357fc2d94ac57ab7>
| schema:text | geb. |
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schema:additional |
<http:/ |
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<n962aea2be2b948bc84357fc2d94ac57ab8>
| schema:text | ill. |
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<http:/ |
schema:publication →
Cambridge (MA): Harvard U.P.; 1989
| schema:name | "Cambridge (MA): Harvard U.P.; 1989" |
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<n962aea2be2b948bc84357fc2d94ac57ab6>
| schema:text | Part 2: Black models and white mythes. - 1989. - 306 p. - ISBN 0-939594-18-8 |
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aat:300435416 |
| schema:name |
"Books"@en
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schema:same |
aat:300028051 |
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<n962aea2be2b948bc84357fc2d94ac57ab9>
| schema:text | Part 1: Slaves and liberators. - 1989. - 379 p. - ISBN 0-939594-17-X |
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schema:additional |
aat:300435416 |
schema:publication →
<n962aea2be2b948bc84357fc2d94ac57ab2>
| schema:location | Cambridge (MA) |
schema:publication →
<n962aea2be2b948bc84357fc2d94ac57ab3>
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schema:published |
Harvard U.P. |
schema:publication :: schema:location →
Cambridge (MA)
| schema:name | "Cambridge (MA)" |
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Harvard U.P.
| schema:name | "Harvard U.P." |