Am Anfang war das Wort: das Ende der 'stommen schilderkonst' am Beispiel Rembrandts
| schema:name |
"Books"@en
|
|
schema:same |
aat:300028051 |
schema:subjectOf →
<n2b27ae4bd9f74802a432a7470d7df1bbb8>
| schema:text | geb. |
|
schema:additional |
<http:/ |
schema:subjectOf →
<n2b27ae4bd9f74802a432a7470d7df1bbb6>
| schema:text | 13 ill. |
|
schema:additional |
<http:/ |
schema:publication →
<n2b27ae4bd9f74802a432a7470d7df1bbb3>
|
schema:start |
"2004"^^schema:Date |
schema:publication →
<n2b27ae4bd9f74802a432a7470d7df1bbb2>
|
schema:published |
VDG |
schema:subjectOf →
<n2b27ae4bd9f74802a432a7470d7df1bbb7>
| schema:text | Dissertation Friedrich-Schiller-Universität Jena |
|
schema:additional |
aat:300435416 |
schema:publication →
<n2b27ae4bd9f74802a432a7470d7df1bbb4>
| schema:location | Weimar |
schema:publication →
Weimar: VDG; 2004
| schema:name | "Weimar: VDG; 2004" |
schema:publication :: schema:location →
Weimar
| schema:name | "Weimar" |
schema:publication :: schema:publishedBy →
VDG
| schema:name | "VDG" |