18th century colour palettes
schema:subjectOf →
<n6395d3805fa34e76894dff601ec891c1b6>
| schema:text | illustrations |
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schema:additional |
<http:/ |
schema:publication →
<n6395d3805fa34e76894dff601ec891c1b2>
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schema:published |
Artists, Bookworks |
schema:publication →
<n6395d3805fa34e76894dff601ec891c1b3>
| schema:location | Forest Row, East Sussex |
| schema:name |
"Books"@en
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schema:same |
aat:300028051 |
schema:publication →
Forest Row, East Sussex: Artists, Bookworks; 2018
| schema:name | "Forest Row, East Sussex: Artists, Bookworks; 2018" |
schema:subjectOf →
<n6395d3805fa34e76894dff601ec891c1b7>
| schema:text | From the treatises of Robert Dossie (The handmaid to the arts, 1758), Jean Félix Watin (The art of the painter, gilder and varnisher, 1773), Placide Auguste le Pileur d'Apligny (Treatise on material colours, 1776), Pierre-Bartélemy-Alexandre de Constant de Massoul (A treatise on the art of painting and the composition of colours, 1797) |
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aat:300435416 |
schema:publication →
<n6395d3805fa34e76894dff601ec891c1b5>
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schema:start |
"2018"^^schema:Date |
schema:publication :: schema:publishedBy →
Artists, Bookworks
| schema:name | "Artists, Bookworks" |
schema:publication :: schema:location →
Forest Row, East Sussex
| schema:name | "Forest Row, East Sussex" |