Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the goodness of a picture; II. Of the hand of the master; and III. Whether 'tis an original or a copy. : II. An argument in behalf of the science of a connoisseur, wherein is shewn the dignity, certainty, pleasure, and advantage of it

schema:name "Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the goodness of a picture; II. Of the hand of the master; and III. Whether 'tis an original or a copy. : II. An argument in behalf of the science of a connoisseur, wherein is shewn the dignity, certainty, pleasure, and advantage of it"
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schema:exampleOfWork Two discourses
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schema:text Twee delen in één band, elk met een eigen titelpagina, inhoud en paginering.
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Inverse relations

[ .. ] → schema:exampleOfwork → Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the goodness of a picture; II. Of the hand of the master; and III. Whether 'tis an original or a copy. : II. An argument in behalf of the science of a connoisseur, wherein is shewn the dignity, certainty, pleasure, and advantage of it

[ .. ] → schema:workExample → Two discourses: I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the goodness of a picture; II. Of the hand of the master; and III. Whether 'tis an original or a copy. : II. An argument in behalf of the science of a connoisseur, wherein is shewn the dignity, certainty, pleasure, and advantage of it

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