Man made

<https://id.rijksmuseum.nl/300334315>

schema:name	"Man made"
schema:creator	Berger, Martin A.
schema:position	"6"
schema:about	Eakins, Thomas
	iconografie
	mannelijkheid
	VS
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schema:abstract	""Often censured during his lifetime for his insistence on studying and painting from the nude, Thomas Eakins (1844-1916) is now acclaimed as one of America's greatest realist painters. Man Made examines Eakins's art and life, illustrating how the artist used his canvases to cope with the complex requirements of Victorian gender. Martin Berger reads a series of Eakins's paintings, ranging from early to late works, giving a nuanced and elegant examination of Eakins's portrayal of white, middle-class manhood. This provocative cultural art history treats these paintings in terms of what they reveal about Eakins's own identity as well as the nation's changing ideals of manhood during the final years of the nineteenth century."--Jacket."@en
schema:identifier	<na5133db90a884660a8c39b29caedcb22b4>
schema:inLanguage	"eng"
schema:isPartOf	Men and masculinity ;
schema:subjectOf	<na5133db90a884660a8c39b29caedcb22b6>
schema:workExample	Man made: Thomas Eakins and the construction of Gilded Age manhood

schema:DefinedTerm

schema:alternateName

"Art and society"

schema:DefinedTerm

schema:alternateName

"Gender identity in art"

schema:CreativeWorkSeries

schema:name

"Men and masculinity ;"

schema:Statement

schema:text	Ch. 1. Manly Associations -- Ch. 2. Complicating the Heroes of Modern Life -- Ch. 3. Alternative Communities -- Epilogue: Discourse and Agency.
schema:additionalType	aat:300195187

schema:DefinedTerm

schema:alternateName

"Masculinity in art"

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schema:propertyID	"NL-AmRIJ"
schema:value	"334315"

Man made: Thomas Eakins and the construction of Gilded Age manhood schema:ProductModel