| schema:name | "Die Flache" |
| schema:contributor | Brandow-Faller, Megan |
| Silverthorne, Diane V. | |
| Reynolds, Dan | |
| Letterform Archive | |
| schema:about | grafische ontwerpen |
| kunsttijdschriften | |
| typografie | |
| Die Fläche | |
| Oostenrijk | |
| Wenen | |
| <nf354cbe29d6842abaf32c4908c49ab29b1> | |
| <nf354cbe29d6842abaf32c4908c49ab29b2> | |
| <nf354cbe29d6842abaf32c4908c49ab29b3> | |
| schema:abstract | ""A landmark of graphic modernism, the Vienna Secession’s magazine is brought to life in a complete facsimile reprint with new essays and translations. The brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Loffler and others―the leading graphic artists of the Vienna Secession and the Wiener Werkstätte―Die Fläche (German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world. This full-size facsimile of all 14 issues of Die Fläche lets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance. Die Fläche is the first volume in Letterform Archive’s facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights."-- Provided by publisher."@en |
| ""Around 1900, leading Secessionists and their students developed a new style of graphic modernism, emphasizing flatness, expressive geometry, stylized lettering, and bold colors in an effort to transform the world of printed surfaces. Die Fläche (The Surface) showcased their vision, presenting hundreds of designs for everything from posters and playing cards to textiles and packaging. This facsimile edition of Die Fläche recreates every page of the formative periodical in full color and at original size, preserving even the accordion foldouts of the second volume. In-depth essays contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new 'surface art,' including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann. With complete translations, a glossary, and selected artist biographies, this book provides unprecedented access to a major document of design history."-- On back cover."@en | |
| schema:identifier | <nf354cbe29d6842abaf32c4908c49ab29b4> |
|
schema:in |
"eng" |
|
schema:subject |
<nf354cbe29d6842abaf32c4908c49ab29b5> |
| <nf354cbe29d6842abaf32c4908c49ab29b6> | |
|
schema:temporal |
"1900-1999" |
|
schema:work |
Die Flache: design and lettering of the Vienna Secession, 1902-1911 |
schema:about →
<nf354cbe29d6842abaf32c4908c49ab29b1>
|
schema:alternate |
"Austrian periodicals--20th century--History and criticism" |
schema:about →
<nf354cbe29d6842abaf32c4908c49ab29b2>
|
schema:alternate |
"Graphic arts--Austria--Vienna--Periodicals--Facsimiles" |
schema:subjectOf →
<nf354cbe29d6842abaf32c4908c49ab29b6>
| schema:text | In English. |
|
schema:additional |
<http:/ |
schema:about →
<nf354cbe29d6842abaf32c4908c49ab29b3>
|
schema:alternate |
"Graphic arts--Austria--Vienna--History--20th century" |
schema:identifier →
<nf354cbe29d6842abaf32c4908c49ab29b4>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "333026" |
schema:subjectOf →
<nf354cbe29d6842abaf32c4908c49ab29b5>
| schema:text | Situating Die Fläche. Die Fläche: surface and depth / Diane V. Silverthorne -- Rudolf von Larisch: Vienna's theorist of artistic writing / Dan Reynolds -- Women art students and the art of unlearning in Die Fläche / Megan Brandow-Faller -- Die Fläche: complete facsimiles. |
|
schema:additional |
aat:300195187 |