A nimble arc
| schema:name | "A nimble arc" |
| "James Van Der Zee and photography" | |
| schema:creator | Boone, Emilie |
| schema:author | Boone, Emilie |
| schema:contributor | Van der Zee, James |
| schema:about | Van der Zee, James |
| fotografen | |
| foto's | |
| portretfotografie | |
| Afro-Amerikanen | |
| Harlem | |
| VS | |
| <n10619ea4dca9420e9094b4829950243cb1> | |
| <n10619ea4dca9420e9094b4829950243cb2> | |
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| <n10619ea4dca9420e9094b4829950243cb11> | |
| schema:abstract | ""In A Nimble Arc Emilie Boone considers James Van Der Zee's photographic work across the twentieth century-from his early years in Harlem to the moment of the Harlem on my Mind exhibit-to foreground aspects of Black quotidian life. Boone theorizes 'nimble' to describe the ease of movement with which one must transition between art history and vernacular photography when considering Van Der Zee and his work. While Van Der Zee is lauded for his role in the Harlem Renaissance and his late-career portrait of Jean-Michel Basquiat, his studio played a major role in the Black community for decades, photographing ordinary people and events in ways that have been mostly overlooked. Boone's account recasts our understanding not only of this canonical figure, but of photography in Black life more generally"-- Provided by publisher. African american."@en |
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schema:in |
"eng" |
|
schema:subject |
<n10619ea4dca9420e9094b4829950243cb13> |
|
schema:work |
A nimble arc: James Van Der Zee and photography |
schema:about →
<n10619ea4dca9420e9094b4829950243cb3>
|
schema:alternate |
"Portrait photography" |
schema:about →
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|
schema:alternate |
"Photography, Artistic" |
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<n10619ea4dca9420e9094b4829950243cb2>
|
schema:alternate |
"Portrait photography" |
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<n10619ea4dca9420e9094b4829950243cb9>
|
schema:alternate |
"Photography, Artistic" |
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<n10619ea4dca9420e9094b4829950243cb6>
|
schema:alternate |
"Portrait photographers" |
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<n10619ea4dca9420e9094b4829950243cb1>
|
schema:alternate |
"Portrait photographers--United States--Biography" |
schema:about →
<n10619ea4dca9420e9094b4829950243cb8>
|
schema:alternate |
"Harlem Renaissance" |
schema:about →
<n10619ea4dca9420e9094b4829950243cb10>
|
schema:alternate |
"African American photographers--United States--Biography" |
schema:about →
<n10619ea4dca9420e9094b4829950243cb11>
|
schema:alternate |
"Harlem Renaissance" |
schema:about →
<n10619ea4dca9420e9094b4829950243cb7>
|
schema:alternate |
"Harlem Renaissance" |
schema:about →
<n10619ea4dca9420e9094b4829950243cb5>
|
schema:alternate |
"African American photographers" |
schema:subjectOf →
<n10619ea4dca9420e9094b4829950243cb13>
| schema:text | To Pivot Lightly: Adding the Vernacular to Art History's Sightline -- "More, Many More": Van Der Zee's World of Harlem Renaissance Studio Photographers -- The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora -- A Reframing of Value: Van Der Zee's Restoration Work of the 1940s and Beyond -- Black Quotidian Experiences: Revisiting the Met's Harlem on My Mind exhibition of 1969 -- Coda. To Nimbly Rewind. |
|
schema:additional |
aat:300195187 |
schema:identifier →
<n10619ea4dca9420e9094b4829950243cb12>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "330315" |