Linda Nochlin reader
| schema:name | "Linda Nochlin reader" |
| "Women artists" | |
| schema:creator | Nochlin, Linda |
| schema:contributor | Reilly, Maura |
| schema:about | Nochlin, Linda |
| kunsttheorie | |
| kunstenaressen | |
| theoretische verhandelingen | |
| <ned32b266b77f49d0b13d6eb3061456d9b1> | |
| schema:abstract | "Linda Nochlin (1931-2017) was one of the most pioneering and provocative art historians of our time. In 1971 she published her groundbreaking article, 'Why Have There Been No Great Women Artists?', an impassioned feminist rallying cry that called traditional art historical practices into question and led to a major revision of the discipline. Women Artists: The Linda Nochlin Reader brings together thirty essential essays from throughout Nochlin's career, including two written specially for this collection. The book opens with an interview with Nochlin, in which she looks back on her life's work and reflects on the position of women artists today. Her major thematic texts, such as 'Women Artists After the French Revolution' and 'Starting from Scratch: The Beginnings of Feminist Art History' appear alongside the landmark 1971 essay and its rejoinder, '"Why Have There Been No Great Women Artists?": Thirty Years After.' Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi and Sophie Calle, as well asconcise biographies of all the artists discussed in the book and a complete bibliography of Nochlin's publications. -- From publisher's website."@en |
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schema:in |
"eng" |
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schema:subject |
<ned32b266b77f49d0b13d6eb3061456d9b3> |
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schema:work |
Women artists: the Linda Nochlin reader |
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<ned32b266b77f49d0b13d6eb3061456d9b2>
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"NL-AmRIJ" |
| schema:value | "329463" |
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<ned32b266b77f49d0b13d6eb3061456d9b3>
| schema:text | A dialogue with Linda Nochlin, the Maverick She -- 1970s : Why have there been no great women artists? -- Miriam Schapiro: recent work -- Some women realists -- Women artists after the French Revolution -- 1980s : Florine Stettheimer: rococo subversive -- Nancy Graves: the subversiveness of sculpture -- Morisot's Wet nurse: the construction of work and leisure in impressionist painting -- Zuka's French Revolution: a woman's place is public space -- 1990s : Pornography as a decorative art: Joyce Kozloff's patterns of desire -- Starting from scratch: the beginnings of feminist art history -- Mary Cassatt's modernity -- Sylvia Sleigh: portraits of women artists and writers -- Deborah Kass: portrait of the artist as an appropriator -- 2000s : Jenny Saville: floating in gender nirvana -- Mary Frank: encounters -- Seeing beneath the surface (Kathleen Gilje) -- A rage to paint: Joan Mitchell and the issue of femininity -- Sam Taylor-Wood: when the stars weep -- Alice Neel -- Unholy postures: Kiki Smith and the body -- Sarah Lucas: God is Dad -- "Why have there been no great women artists?" thirty years after -- Women artists then and now: painting, sculpture, and the image of the self -- Cecily Brown: the erotics of touch -- Existence and beading: the work of Liza Lou -- Black, white, and uncanny: Miwa Yanagi's Fairy tale -- Old-age style: late Louise Bourgeois -- 2010s : Sophie Calle: word, image and the end of ekphrasis -- Ellen Altfest: a new, new realism -- Natalie Frank: the dark side of the fairy tale. |
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aat:300195187 |
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"Women artists" |