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schema:text Introduction / Peter Probst -- The Allure of Architectural Ornament: Ethnographic Art and the "Shortcomings" of Inka Stonemasonry / Carolyn Dean -- Anatomy of a Chronological Hallucination: The Category of Primitive Art and Élie Faure's L'art medieval / John Warne Monroe -- Ethnology at the Margins of "General Art History": The Case of Alois Hein / Priyanka Basu -- What Happens When Natives Draw? Theodor Koch-Grünberg and the Beginnings of World Art History / Claudia Mattos Avolese -- Boas and Semper: From the Biology of Images to Primitive Art / Carlo Severi -- Empathy with the Unknown: Reproducing "World Art" after 1900 / Joseph Imorde -- Fatal Attraction: Carl Einstein's "Ethnological" Turn / Charles W. Haxthausen -- Pathos and Paideuma: Aby Warburg, Leo Frobenius, and the Demons of Culture / Peter Probst -- Ernst Vatter: A Forgotten Pioneer of Art Ethnology / Karl-Heinz Kohl -- The Anthropologist as Critic: Claude Lévi-Strauss / Boris Wiseman -- René d'Harnoncourt, Twentieth Century Cultural Broker: Bridging Art History and Anthropology through the Display of Indigenous Art / Nancy Lutkehaus -- Outside and Inside Art History: Anthropologists, Art Historians, Curators, and the Recognition of Aboriginal Art / Howard Morphy.
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schema:alternateName "Art and anthropology"

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