When Michelangelo was modern
| schema:name | "When Michelangelo was modern" |
| schema:position | "volume 14" |
| schema:about | museografie |
| collectioneurs | |
| kunsthandel | |
| mecenaat | |
| Italië | |
| <n613b1b7786974278aa75efe9a693a919b1> | |
| <n613b1b7786974278aa75efe9a693a919b2> | |
| <n613b1b7786974278aa75efe9a693a919b3> | |
| <n613b1b7786974278aa75efe9a693a919b4> | |
| <n613b1b7786974278aa75efe9a693a919b5> | |
| <n613b1b7786974278aa75efe9a693a919b6> | |
| <n613b1b7786974278aa75efe9a693a919b7> | |
| <n613b1b7786974278aa75efe9a693a919b8> | |
| <n613b1b7786974278aa75efe9a693a919b9> | |
| schema:abstract | ""Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection"-- Provided by publisher."@en |
| schema:editor | Reist, Inge Jackson |
| schema:identifier | <n613b1b7786974278aa75efe9a693a919b10> |
|
schema:in |
"eng" |
|
schema:is |
Studies in the history of collecting & art markets, |
|
schema:subject |
<n613b1b7786974278aa75efe9a693a919b12> |
|
schema:temporal |
"1450-1650" |
|
schema:work |
When Michelangelo was modern: collecting, patronage and the art market in Italy, 1450-1650 |
schema:about →
<n613b1b7786974278aa75efe9a693a919b6>
|
schema:alternate |
"Art--Collectors and collecting--Italy" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b4>
|
schema:alternate |
"Art--Marketing" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b7>
|
schema:alternate |
"Art and society" |
schema:subjectOf →
<n613b1b7786974278aa75efe9a693a919b12>
| schema:text | Courtesans as Collectors and Tastemakers in Renaissance Italy / Chriscinda Henry -- Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento / Hannah Joy Friedman -- Artists as Critics, and Critics as Artists: Collaboration and Inclination in Giulio Mancini's Taste Formation / Frances Gage. |
|
schema:additional |
aat:300195187 |
schema:about →
<n613b1b7786974278aa75efe9a693a919b3>
|
schema:alternate |
"Art and society--Italy" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b2>
|
schema:alternate |
"Art--Marketing" |
schema:identifier →
<n613b1b7786974278aa75efe9a693a919b10>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "320949" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b1>
|
schema:alternate |
"Art patronage" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b8>
|
schema:alternate |
"Art--Collectors and collecting" |
schema:about →
<n613b1b7786974278aa75efe9a693a919b5>
|
schema:alternate |
"Art patronage--Italy" |
schema:isPartOf →
Studies in the history of collecting & art markets,
| schema:name | "Studies in the history of collecting & art markets," |
schema:about →
<n613b1b7786974278aa75efe9a693a919b9>
|
schema:alternate |
"art market" |