Gezeichnete Evidentia
| schema:name | "Gezeichnete Evidentia" |
| schema:contributor | Brahms, Iris |
| Eusterschulte, Anne | |
| schema:about | tekenkunst |
| kleurgebruik | |
| Europa | |
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| schema:abstract | ""Drawings on paper produced in color or primed in color play a prominent role in the art of drawing in the early modern period. What influence did the single-colored surface have on the lines, the use of color and the modeling of light and shadow when the drawings were executed? What specific horizons of interpretation are associated with this drawing technique? For the first time, the contributions in the volume investigate these questions using case studies from the north and south. Methodologically up-to-date and from a multi-perspective perspective, they offer fundamentally new results on image-theoretical questions of Evidentia as well as on art-technological studies. The focus is on works by Lorenzo Monaco, Benozzo Gozzoli, Hans Pleydenwurff, Hendrick Goltzius, Rembrandt, Govert Flinck, Nicolas Poussin, Caspar Fraisinger, among others."-- Provided by publisher."@en |
| schema:identifier | <n9707b11f528a4f8289c23c10438e208bb8> |
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"eng" |
| "ger" | |
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schema:subject |
<n9707b11f528a4f8289c23c10438e208bb9> |
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schema:work |
Gezeichnete Evidentia: Zeichnungen auf kolorierten Papieren in Süd und Nord von 1400 bis 1700 |
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"Drawing, European" |
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schema:alternate |
"Color in art" |
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<n9707b11f528a4f8289c23c10438e208bb1>
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schema:alternate |
"1400-1699" |
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"Drawing, European--16th century" |
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schema:alternate |
"Color in art" |
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schema:alternate |
"Drawing, European--17th century" |
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<n9707b11f528a4f8289c23c10438e208bb9>
| schema:text | 7 German, 3 English contributions; preface, introduction and epilogue in German and English. |
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schema:additional |
<http:/ |
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<n9707b11f528a4f8289c23c10438e208bb5>
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"Drawing, European--15th century" |
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"NL-AmRIJ" |
| schema:value | "320135" |