Russian avant-garde
| schema:name | "Russian avant-garde" |
| schema:contributor | Bijl, Arnoud |
| Boelens, Birgit | |
| Wieman, Natascha | |
| State Hermitage Museum | |
| Hermitage Amsterdam | |
| schema:about | Imperatorskij Farforovyj Zavod |
| ceramiek | |
| abstracte kunst | |
| avantgarde | |
| fabrikanten (afzonderlijk) | |
| moderne kunst | |
| porselein | |
| tegencultuur | |
| Rusland | |
| Sovjetunie | |
| schema:abstract | ""The Russian avant-gardes, which most famously included artists Kazimir Malevich and Wassily Kandinsky, became known for their radical innovations in painting. But they also devoted themselves to the design of interiors and theatre sets, utensils and books. By far the most surprising medium for the new artistic imagery was porcelain: the material traditionally preferred by the tsars. It was readily available and completely white, reasons that led many artists to work with it. So much of it has been preserved that porcelain can tell the entire story of the Russian avant-garde like no other material. About five hundred works on canvas, paper, textiles and especially porcelain, will display the avant-gardes' imagination, that of their predecessors and their followers. They demonstrate a revolution in the arts"--Provided by publishers."@en |
| schema:editor | Scheijen, Sjeng |
| Williams, Paul | |
| Datsenko, Swetlana | |
| schema:identifier | <nf78879537dc6437183e7336cac0af2eeb1> |
|
schema:in |
"eng" |
|
schema:subject |
<nf78879537dc6437183e7336cac0af2eeb2> |
|
schema:temporal |
"1890-1930" |
|
schema:work |
Russian avant-garde: revolution in the arts |
schema:identifier →
<nf78879537dc6437183e7336cac0af2eeb1>
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schema:property |
"NL-AmRIJ" |
| schema:value | "316977" |
schema:subjectOf →
<nf78879537dc6437183e7336cac0af2eeb2>
| schema:text | In English. |
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schema:additional |
<http:/ |