The pictor doctus, between knowledge and workshop
| schema:name | "The pictor doctus, between knowledge and workshop" |
| schema:about | beeldende kunst |
| kunstenaars | |
| kunsthistorisch onderzoek | |
| Europa | |
| schema:abstract | "Recent research on the collections treasured by artists during their lifetime, or those collections they had access to, has contributed significantly to the understanding of their own compositions. 00Contents:0I. Learning from the Artistic Collections, Libraries and Workshops:0- Pablo de Céspedes, arte y humanismo en su biblioteca. Una nueva propuesta de interpretación en torno a su colección bibliográfica;0- Bernardino Poccetti as Collector;0- "Ha muerto Rubens". El eco de su colección en el rey de España;0- Francisco de Solís, Collector of Drawings.00II. Coteries: The Role of the Friendship and the Academies:0- Vicente Carducho?s Modelling of Artistic Practice and Connoisseurship;0- Between Guild and Academy: Collections of Central European Painters as a Source of Artistic Progress or a Steady Livelihood?;0- French Barbizon Landscapes Collected by Pre-Raphaelite and Aesthetic Movement Artists in the second half of the Nineteenth Century;0- Women Painters and Academicians: Models and Collections.00III. Artists at the Court: Experience and Erudition:0- Court Institutions and their Impact on Artworks by the 'valet de chambre' Artists Serving at the Valois-Burgundian Court during the Fifteenth Century;0- Velázquez and the Royal Collection. Opening the Pandora?s Box."@en |
| schema:editor | Diéguez Rodríguez, Ana |
| Rodríguez Rebollo, Ángel | |
| schema:identifier | <n6084496cc7cb47bfbe6611ea3ceb6b12b1> |
|
schema:in |
"eng" |
|
schema:temporal |
"1500-1900" |
|
schema:work |
The pictor doctus, between knowledge and workshop: artists, collections and friendship in Europe, 1500-1900 |
schema:identifier →
<n6084496cc7cb47bfbe6611ea3ceb6b12b1>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "315069" |