Impressionism between art and science

<https://id.rijksmuseum.nl/300309822>

schema:name	"Impressionism between art and science"
	"Light through the prism of Augustin Fresnel (1790-1900)"
schema:contributor	Mourou, Gérard
	Amouyal, Edmond
	Menu, Michel
	Preti Hamard, Monica
	École Polytechnique
	Musée du Louvre
schema:about	Fresnel, Augustin Jean
	schilderkunst
	wetenschap
	congresbundel (vorm)
	impressionisme (stijl)
	kleur
	licht
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schema:abstract	"1820. Painting was undergoing a profound transformation. Representations of reality no longer took precedence over colour. Details were becoming less important and, above all, light began to vibrate, achieving predominance, and announcing Impressionism. In the scientific field, Augustin Fresnel, a young graduate from the École Polytechnique, demonstrated, with the help of his friends André-Marie Ampère and François Arago, that light was made up of waves rather than particles, a theory that ran counter to Newton and all the scientists of the time."@en
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schema:inLanguage	"eng"
schema:workExample	Impressionism between art and science: light through the prism of Augustin Fresnel (from 1790 to 1900)

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"Painting, Modern--19th century"

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"Impressionism (Art)"

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"Painting, Modern--18th century"

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"Painting--Technique"

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"Art and science"

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