Heinrich Wölfflin's Principles of art history
| schema:name | "Heinrich Wölfflin's Principles of art history" |
| "Principles of art history" | |
| "The global reception of Heinrich Wölfflin's Principles of art history" | |
| schema:contributor | Levy, Evonne |
| <nc3aa00390577430d8d9335c8904c5bbcb2> | |
| <nc3aa00390577430d8d9335c8904c5bbcb3> | |
| schema:position | "82" |
| "LIX" | |
| schema:about | Wölfflin, Heinrich |
| kunstgeschiedenis | |
| congresverslagen (vorm) | |
| <nc3aa00390577430d8d9335c8904c5bbcb1> | |
| schema:abstract | ""Heinrich Wölfflin's Principles of Art History was published in Munich in 1915 and was subsequently translated from German into twenty-two languages, becoming one of art history's most read and discussed works and a world classic in the humanities. This collection of essays examines the influence and criticism of Wölfflin's classic in teaching and scholarship in the United States and in seventeen countries in Latin America, Europe, and South and East Asia. The composite is a global history of the discipline of art history over more than a century and a rare account of the reception of a single key work"--"@en |
| schema:genre | Conference papers and proceedings |
| BKS | |
| schema:identifier | <nc3aa00390577430d8d9335c8904c5bbcb4> |
|
schema:in |
"eng" |
|
schema:is |
Center for Advanced Study in the Visual Arts symposium papers ; |
|
schema:subject |
<nc3aa00390577430d8d9335c8904c5bbcb6> |
|
schema:work |
The global reception of Heinrich Wölfflin's Principles of art history |
schema:identifier →
<nc3aa00390577430d8d9335c8904c5bbcb4>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "308509" |
schema:contributor →
<nc3aa00390577430d8d9335c8904c5bbcb3>
|
schema:alternate |
"National Gallery of Art (U.S.)" |
schema:contributor →
<nc3aa00390577430d8d9335c8904c5bbcb2>
|
schema:alternate |
"Weddigen, Tristan" |
schema:about →
<nc3aa00390577430d8d9335c8904c5bbcb1>
|
schema:alternate |
"Art--History--Congresses" |
schema:subjectOf →
<nc3aa00390577430d8d9335c8904c5bbcb6>
| schema:text | Wölfflin in Germany / Horst Bredekamp -- Wölfflin's Swiss legacy / Oskar Bätschmann -- Formalist dissent: why did the Vienna school ignore Wölfflin's Principles? / Hans Aurenhammer -- Wölfflin in the Hispanic world / Tristan Weddigen -- Baroque and neobaroque: long-term influence of Kunstgeschichtliche Grundbegriffe in Mexico and the globalization of an idea / Peter Krieger -- The reception of Principles of art history in England / Paul Binski -- Wölfflin's Principles in the United States: a love-hate relationship / Evonne Levy -- Universal principles and intransigent contexts: Wölfflinian aesthetics and the history of South Asian art / Monica Juneja -- The 1936 Japanese version of Kunstgeschichtliche Grundbegriffe and the study of Japanese art / Shirahawa Yukiko -- Wölfflin in France: from racialism to structuralism / Eric Michaud -- Who is afraid of Wölfflin's schemas?: the impact of Kunstgeschichtliche Grundbegriffe on Italian art historiography and aesthetics / Andrea Pinotti -- Latent Wölfflinian stylistics in Israeli artistic formation / Adi Efal-Lautenschläger -- In the glow of a classic: remarks on the reception of Heinrich Wölfflin in Polish art history / Wojciech Bałus -- The impact of Wölfflin's Kunstgeschichtliche Grundbegriffe on the historiography of art in Hungary in the twentieth century / Robert Born -- Wölfflin in Brazil: between translation and comparison / Jens Baumgarten -- From Teng Gu to Fan Jingzhong: Principles of art history in China / Zhang Ping. |
|
schema:additional |
aat:300195187 |
schema:isPartOf →
Center for Advanced Study in the Visual Arts symposium papers ;
| schema:name | "Center for Advanced Study in the Visual Arts symposium papers ;" |
| "Studies in the history of art ;" |