Drama in medieval and early modern Europe
| schema:name | "Drama in medieval and early modern Europe" |
| schema:creator | Van Pelt, Nadia Thérèse |
| schema:author | Van Pelt, Nadia Thérèse |
| schema:about | cultuurgeschiedenis |
| acteurs | |
| middeleeuwen | |
| theater | |
| toneelstukken | |
| <ne9ffd34c8d5f45be9c7427d1e692b2b3b1> | |
| <ne9ffd34c8d5f45be9c7427d1e692b2b3b2> | |
| <ne9ffd34c8d5f45be9c7427d1e692b2b3b3> | |
| schema:abstract | ""Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates 'medieval' from 'early modern' drama to explore the role of drama, ritual and spectacle in England, Scotland, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany.It is ideal for students of social history, and the history of medieval and early modern drama or literature"--"@en |
| schema:identifier | <ne9ffd34c8d5f45be9c7427d1e692b2b3b4> |
|
schema:in |
"eng" |
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schema:subject |
<ne9ffd34c8d5f45be9c7427d1e692b2b3b5> |
|
schema:work |
Drama in medieval and early modern Europe: playmakers and their strategies |
schema:identifier →
<ne9ffd34c8d5f45be9c7427d1e692b2b3b4>
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schema:property |
"NL-AmRIJ" |
| schema:value | "301405" |
schema:about →
<ne9ffd34c8d5f45be9c7427d1e692b2b3b2>
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schema:alternate |
"European drama--History and criticism--17th century" |
schema:about →
<ne9ffd34c8d5f45be9c7427d1e692b2b3b1>
|
schema:alternate |
"Drama, Medieval--History and criticism" |
schema:subjectOf →
<ne9ffd34c8d5f45be9c7427d1e692b2b3b5>
| schema:text | Mass murder: shocking spectators of late medieval sacrament plays -- The strumpet saint: eroticism and artifice in Mary Magdalene plays -- Wilhelm Tell and Robin Hood, outlaws or elite? -- The perils of public festivity -- Conclusion: playmakers and their strategies. |
|
schema:additional |
aat:300195187 |
schema:about →
<ne9ffd34c8d5f45be9c7427d1e692b2b3b3>
|
schema:alternate |
"European drama--History and criticism--16th century" |