schema:name "Souvenir suisse"
schema:contributor Féraud, Christian
Fehlmann-Richard, Heinrich
Matile, Michael
Kunstmuseum Winterthur
schema:about topografie
ingekleurde prenten
landschapsprenten
souvenirs
Zwitserland
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schema:abstract "Erinnerungen sind das Bleibende im Gedankengut von Reisenden, heute wie damals--seien es Fotos, Postkarten, Ansichten oder das gute alte Skizzenbuch. Sie alle sind hilfreiche Gedankenstützen. Als die Schweiz im 18. Jahrhundert mit dem aufkommenden Tourismus zum Reiseziel wurde, entstand eine neue Art der Bildproduktion: der Winterthurer Maler, Zeichner und Radierer Johann Ludwig Aberli (1723-1786) erfand in den 1760er Jahren die handkolorierte Umrissradierung, eine klug gewählte Kombination von Druckgraphik und Aquarell. Die bei Käufern beliebten Blätter waren hochbezahlte Souvenirs, die als Abbild des "Arkadien Europas" bis nach England und Russland Verbreitung fanden. Die Stiftung Familie Fehlmann in Winterthur, die 2016 auf Initiative des Winterthurers Heinz Fehlmann-Sommer gegründet worden ist, besitzt eine faszinierende Sammlung dieser Druckgraphik der "Schweizer Kleinmeister." Diese ursprünglich von seinem Vater Heinrich Fehlmann-Richard mit viel Liebe und Kennerschaft zusammengetragenen Blätter werden nun erstmals einem breiten Publikum in Buchform präsentiert."@en
"Memories are what endure in the minds of travelers, today as in the past. Be it photos, postcards or vistas of the places visited or a good old sketchbook, they are all helpful for jogging the memory. When, back in the 18th century, Switzerland became a travel destination and was regarded as the "temple of nature" ... the foundations were laid for tourism to blossom. This was accompanied by a new kind of image production, one that precisely served to preserve travel memories: in the 1760s, Winterthur-based landscape painter, illustrator and engraver Johann Ludwig Aberli invented the hand-colored outline etching, an intelligently chosen mixture of print and watercolor. The process became known as the "Aberli Style" and was subsequently emulated by artists such as Heinrich Rieter and Gabriel Lory, who advanced the technique. Their captivating prints were expensive souvenirs that were distributed widely as they fostered the image of the "European Arcadia." Stiftung Familie Fehlmann in Winterthur ... owns a fascinating collection of these prints ... now going on public display for the first time to mark the 100th anniversary of the birth of the man who launched the foundation. Together with the wealth of paintings and drawings in the Kunst Museum Winterthur collection, the exhibition will paint a multi-faceted picture of Switzerland that emphatically shaped how the country was perceived from the outside and contributed strongly to the evolution of the Swiss identity that is taken as the norm today. --Museum website."@en
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schema:temporalCoverage "1750-1850"
schema:workExample Souvenir suisse: die Graphiksammlung der Stiftung Familie Fehlmann

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