Metropolitan fetish
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb10>
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"French colonies" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb6>
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schema:alternate |
"Art--Collectors and collecting" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb7>
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"Art, African--Appreciation--France--History--20th century" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb8>
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"Naturvolk" |
schema:subjectOf →
<n07e94cb4882c4e608ad10a110d848d1eb12>
| schema:text | Introduction : the French paradox of primitive art -- The making of a metropolitan fetish -- Inventing antiquity : Henri Clouzot, André Level and the universal history of primitive art -- The wings of snobbery : Paul Guillaume and the launch of art nègre -- From art nègre to art primitif : black deco, ethnology and surrealism in the late 1920s -- Selling "the art of the ancestors" : Charles Ratton, the art market, and the black diaspora -- Authenticity wars : primitive art between metropole and colony -- Conclusion, with an archival prophecy. |
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schema:additional |
aat:300195187 |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb5>
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schema:alternate |
"Modernism (Art)--African influences" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb9>
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"Primitivismus" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb2>
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schema:alternate |
"Plastik" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb1>
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schema:alternate |
"Art, Primitive" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb3>
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schema:alternate |
"Kunstsammler" |
schema:about →
<n07e94cb4882c4e608ad10a110d848d1eb4>
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schema:alternate |
"Art critics" |
schema:identifier →
<n07e94cb4882c4e608ad10a110d848d1eb11>
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schema:property |
"NL-AmRIJ" |
| schema:value | "301327" |