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schema:text Introduction / Jason Steuber -- Keynote address: Where we've been and where we are going: Korean art history and museums / Youngna Kim -- Histories and challenges: collection histories and case studies: United Kingdom -- Collecting Korean art at the V & A, 1940 to 1995 / Beth McKillop -- Atmosphere and surroundings: the use of architecture in Korean exhibitions and galleries at the British Museum / Sascha Priewe -- The collecting and display of the Korean Collection at the National Museum of Scotland / Kevin McLoughlin -- Displaying a nation: representations of Korean art in the United Kingdom / Charlotte Horlyck and Sascha Priewe -- Collection histories and case studies: United States -- The history of the Korean Collection at the Museum of Fine Arts, Boston / Jane Portal -- A bridge to understanding: Avery Brundage and Korean art at the Asian Art Museum of San Francisco / Hyonjeong Kim Han -- Ahead of the curve, but under the radar: collecting and exhibiting Korean art at the Newark Museum / Katherine Anne Paul -- Early collecting of Korean art: the Honolulu Museum of Art / Shawn Eichman -- Perspectives: Reception of Korean art in an international setting -- Early U.S. encounters with Korean civilization / Hyunsoo Woo -- Korea's Joseon-Dynasty Buddhist sculptures in American museums / Unsok Song -- The reception of Goryeo Buddhist paintings in premodern Japan / Seinosuke Ide -- Goryeo Celadon and its reception in the West / Soyoung Lee -- Critical reappraisals -- Maps of the world (cheonhado) in Korean atlases (yeojido) of the late Joseon Dynasty / Richard A. Pegg -- Korean art history and ethnic nationalism: the cases of Jeong Seon and Kim Hongdo / Chin-Sung Chang -- American art exhibitions and their reception in Korea during the 1950s / Moojeong Chung -- Contemporary Korean ceramics: its heritage and advancement into the twenty-first century / Hyeyoung Cho.
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