Gender, otherness, and culture in medieval and early modern art
| schema:name | "Gender, otherness, and culture in medieval and early modern art" |
| schema:contributor | Bradbury, Carlee A. |
| Moseley-Christian, Michelle | |
| <n33c49cd1db334190892f362ca21442f1b4> | |
| schema:about | cultuurgeschiedenis |
| congresbundel (vorm) | |
| identiteit | |
| sekseverschillen | |
| otherness | |
| <n33c49cd1db334190892f362ca21442f1b1> | |
| <n33c49cd1db334190892f362ca21442f1b2> | |
| <n33c49cd1db334190892f362ca21442f1b3> | |
| schema:abstract | ""This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others."--Back cover."@en |
| schema:identifier | <n33c49cd1db334190892f362ca21442f1b5> |
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schema:in |
"eng" |
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schema:subject |
<n33c49cd1db334190892f362ca21442f1b6> |
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schema:work |
Gender, otherness, and culture in medieval and early modern art |
schema:about →
<n33c49cd1db334190892f362ca21442f1b3>
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schema:alternate |
"Art and society--Europe--History--To 1600--Congresses" |
schema:about →
<n33c49cd1db334190892f362ca21442f1b1>
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schema:alternate |
"Gender identity in art--Congresses" |
schema:subjectOf →
<n33c49cd1db334190892f362ca21442f1b6>
| schema:text | Introduction to gender and otherness in medieval and early modern art / Sherry C.M. Lindquist -- Facing Medusa : a thirteenth-century reliquary of King David / Beth Fischer -- Picturing maternal anxiety in the miracle of the Jew of Bourges / Carlee A. Bradbury -- Representing women and poverty in late medieval art / Holly Flora -- Forms of testimony in Dirk Bouts's Justice of Otto III / Jessen Kelly -- Dürer's Feast of the rose garland and the Scuola dei Tedeschi as strategies for mediating foreign, masculine identity / John R. Decker -- "The Monster, death, becomes pregnant" : representations of motherhood in female transi tombs from Renaissance France / Marian Bleeke -- Embodying gluttony as women's wildness : Rembrandt's Naked woman seated on a mound, c. 1629-1631 / Michelle Moseley-Christian. |
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schema:additional |
aat:300195187 |
schema:contributor →
<n33c49cd1db334190892f362ca21442f1b4>
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schema:alternate |
"Southeastern College Art Association. Conference (2012 : Greensboro, North Carolina). Gender and otherness in medieval art." |
schema:identifier →
<n33c49cd1db334190892f362ca21442f1b5>
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schema:property |
"NL-AmRIJ" |
| schema:value | "282287" |
schema:about →
<n33c49cd1db334190892f362ca21442f1b2>
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schema:alternate |
"Other (Philosophy) in art--Congresses" |