Idols and museum pieces

<https://id.rijksmuseum.nl/300268909>

schema:name	"Idols and museum pieces"
schema:contributor	Eck, Caroline A. van
schema:position	"Band 17"
schema:about	beeldhouwkunst
	essays (vorm)
	geschiedenis
	historiografie
	tentoonstellingen
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schema:abstract	"The publication of Winckelmann's Geschichte der Kunst des Altertums in 1764 is considered as the defining moment in the genesis of the modern, scientific study of sculpture. It was a formalist and secular history, concentrating on the statue as a work of art, and studying sculpture in a museum setting, abstracting from its original religious, social or political functions. Other 17th- and 18th-century authors tried to understand those functions and why statues so often excited violent reactions ranging from adoration to abuse. The collection of essays aims to be a first investigation of the questions that arise out of an awareness that the origins of the Western historiography are much more complex than may appear from the perspective of Winckelmann's vision of the Graeco-Roman tradition."@en
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schema:inLanguage	"eng"
	"fre"
schema:isPartOf	Studien aus dem Warburg-Haus ;
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schema:workExample	Idols and museum pieces: the nature of sculpture, its historiography and exhibition history 1640-1880

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"Sculpture--Exhibitions--History"

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schema:text	10 English, 3 French contributions.
schema:additionalType	<http://id.loc.gov/vocabulary/mnotetype/lang>

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"Museums--Curatorship"

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"Studien aus dem Warburg-Haus ;"

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"Idols and images"

Idols and museum pieces: the nature of sculpture, its historiography and exhibition history 1640-1880 schema:ProductModel