The eighteenth-century fortepiano grand and its patrons
| schema:name | "The eighteenth-century fortepiano grand and its patrons" |
| schema:creator | Badura-Skoda, Eva |
| schema:about | muziek |
| muziekinstrumenten | |
| piano's | |
| pianobouwers | |
| <n8e84fe9022ef49f18dbbfa10f6a170b8b1> | |
| <n8e84fe9022ef49f18dbbfa10f6a170b8b2> | |
| schema:abstract | "In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers."@en |
| schema:identifier | <n8e84fe9022ef49f18dbbfa10f6a170b8b3> |
|
schema:in |
"eng" |
|
schema:subject |
<n8e84fe9022ef49f18dbbfa10f6a170b8b4> |
|
schema:temporal |
"1700-1799" |
|
schema:work |
The eighteenth-century fortepiano grand and its patrons: from Scarlatti to Beethoven |
schema:about →
<n8e84fe9022ef49f18dbbfa10f6a170b8b2>
|
schema:alternate |
"Piano" |
schema:subjectOf →
<n8e84fe9022ef49f18dbbfa10f6a170b8b4>
| schema:text | Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. |
|
schema:additional |
aat:300195187 |
schema:about →
<n8e84fe9022ef49f18dbbfa10f6a170b8b1>
|
schema:alternate |
"Piano--History--18th century" |
schema:identifier →
<n8e84fe9022ef49f18dbbfa10f6a170b8b3>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "267049" |