| schema:name | "Carpoolers" |
| schema:creator | Cartagena, Alejandro |
| schema:contributor | Consejo Nacional para la cultura y las artes (Mexico) |
| Fondo Nacional para la Cultura y las Artes (Mexico) | |
| <n32d8a456da85415ba2bc6a52830f08b4b3> | |
| schema:about | Cartagena, Alejandro |
| fotografie | |
| fotoboeken (vorm) | |
| foto's | |
| auto's (motief) | |
| mannen (motief) | |
| Mexico | |
| <n32d8a456da85415ba2bc6a52830f08b4b1> | |
| <n32d8a456da85415ba2bc6a52830f08b4b2> | |
| schema:abstract | "Cartagena's subjects are the numerous pick-up trucks on their way to work and back. This change of perspective reveals to us a hidden world or culture even. Passengers are laid out in the back of each truck, surrounded by their various possessions. Tight cropping excludes everything around the truck except a small section of the road, emphasizing the frame-like quality, presenting us the contents as tableaux, in belief-defying sharpness. A quality which, though it casts some doubt as to the actual spontaneity and verisimilitude of the images, certainly lends to the idea of the image as a painting. Each person or grouping is so still, so perfectly composed that these confined spaces take on an almost religious significance, resembling the grave good arrangements found on prehistoric burial sites. This religious aspect is emphasized by the sporadic addition of images of the sky over their heads. --"@en |
| schema:identifier | <n32d8a456da85415ba2bc6a52830f08b4b4> |
|
schema:in |
"eng" |
|
schema:work |
Carpoolers |
schema:identifier →
<n32d8a456da85415ba2bc6a52830f08b4b4>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "265811" |
schema:about →
<n32d8a456da85415ba2bc6a52830f08b4b2>
|
schema:alternate |
"Street photography--Mexico--Monterrey" |
schema:contributor →
<n32d8a456da85415ba2bc6a52830f08b4b3>
|
schema:alternate |
"McDonald, Jessica S., 1974-" |
schema:about →
<n32d8a456da85415ba2bc6a52830f08b4b1>
|
schema:alternate |
"Photography, Artistic" |