The restoration of paintings in Paris, 1750-1815
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<nb4b6dfe7851b4126967f17e2373b4564b1>
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"Painting--Conservation and restoration--France--Paris--History--19th century" |
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"NL-AmRIJ" |
| schema:value | "263390" |
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| schema:text | Includes translation |
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aat:300435416 |
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<nb4b6dfe7851b4126967f17e2373b4564b4>
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"France--Paris" |
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| schema:text | Introduction: restoration and the public sphere -- Versatility and flexibility -- A networked practice -- Between the institutional and the private settings -- A public sphere of knowledge? -- Standards and reclassifications -- Intellectual property -- A "connoisseur-artist" -- Toward a definition at the museum -- To smoke or to scour? -- Retouching as interpretation -- Faking the painting -- Window or mirror -- Supports/surfaces -- From divided work to fabricated painting -- From adjustable object to adjusted space -- Mural exodus: the paintings transported to the museum -- Commercial and private venues -- Seeing, believing, and judging -- Financial repercussions -- For the glory of the king -- After the Revolution: the opening of the Louvre -- "From the rubble of triumph" -- Gazing upon the masterpieces of the arts -- The skilled hand of the French restorers -- The end of an empire. |
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aat:300195187 |
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<nb4b6dfe7851b4126967f17e2373b4564b3>
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"Painting--Conservation and restoration--France--Paris--History--18th century" |
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"Painting--Conservation and restoration" |