schema:about →
<n1d2e5be269674a508c1df63f4a912868b6>
|
schema:alternate |
"Photography" |
schema:about →
<n1d2e5be269674a508c1df63f4a912868b3>
|
schema:alternate |
"Modernism (Art)--West (U.S.)--History" |
schema:about →
<n1d2e5be269674a508c1df63f4a912868b2>
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schema:alternate |
"Photography--United States--History" |
schema:about →
<n1d2e5be269674a508c1df63f4a912868b4>
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schema:alternate |
"Modernism (Art)" |
schema:subjectOf →
<n1d2e5be269674a508c1df63f4a912868b8>
| schema:text | October 1932 : Edward Weston ; Sonya Noskowiak ; Willard Van Dyke ; Imogen Cunningham ; Ansel Adams -- The party -- Group f.64 -- The exhibition -- Unsung heroes -- A major loss -- The way of Stieglitz -- A tale of two galleries -- The enemy Mortensen -- Expansion -- Divergence -- Reaching out -- Relevance -- Moving on -- A time to soar -- We are not alone -- Seeing straight -- Epilogue : After 1940 -- Appendix 1. Group f.64 and closely related exhibitions, 1932-1940 -- Appendix 2. M.H. de Young Memorial Museum, San Francisco, photography exhibitions, 1930-1940 -- Appendix 3. 683 Brockhurst, Oakland, California, exhibitions, 1933-1935 -- Appendix 4. Ansel Adams Gallery, 166 Geary Street, San Francisco, exhibitions and events, 1933-1934. |
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schema:additional |
aat:300195187 |
schema:identifier →
<n1d2e5be269674a508c1df63f4a912868b7>
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schema:property |
"NL-AmRIJ" |
| schema:value | "262717" |
schema:about →
<n1d2e5be269674a508c1df63f4a912868b1>
|
schema:alternate |
"Photographers--United States--Biography" |
schema:about →
<n1d2e5be269674a508c1df63f4a912868b5>
|
schema:alternate |
"Photographers" |