Photography, humanitarianism, empire
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<n016b0c578b3b44cf840176c41116921eb6>
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"Humanitarianism" |
schema:about →
<n016b0c578b3b44cf840176c41116921eb1>
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"Photography--Social aspects--Australia--History--20th century" |
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<n016b0c578b3b44cf840176c41116921eb2>
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"Photography--Social aspects--Australia--History--19th century" |
schema:about →
<n016b0c578b3b44cf840176c41116921eb4>
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"Photography--Social aspects" |
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<n016b0c578b3b44cf840176c41116921eb5>
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"National characteristics, Australian" |
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<n016b0c578b3b44cf840176c41116921eb7>
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"National characteristics, Australian" |
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<n016b0c578b3b44cf840176c41116921eb8>
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"NL-AmRIJ" |
| schema:value | "261066" |
schema:about →
<n016b0c578b3b44cf840176c41116921eb3>
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schema:alternate |
"Humanitarianism" |
schema:subjectOf →
<n016b0c578b3b44cf840176c41116921eb9>
| schema:text | Introduction : photography, humanitarianism, empire -- One blood : the nucleus of the native church -- Veritable Apollos : beauty, race and scientists -- Blind spots or bearing witness : antislavery and frontier violence in Australia -- Popularizing anthropology : Elsie Masson and Baldwin Spencer -- A ray of special resemblance : H.G. Wells and colonial embarrassment -- Happy families : UNESCO's human rights exhibition in Australia, 1951. |
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aat:300195187 |