Suspended music
schema:about →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb4>
|
schema:alternate |
"Bronze age--China" |
schema:about →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb1>
|
schema:alternate |
"China--Antiquities" |
schema:about →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb2>
|
schema:alternate |
"Chimes" |
schema:subjectOf →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb6>
| schema:text | Introduction: Setting the Stage -- Pt. I. Rites, Technology, and Political Matrix. 1. Bells in a Bronze Age Culture. 2. Shape and Acoustic Properties of Chinese Musical Bells. 3. Chime-Bell Manufacture and Its Complications -- Pt. II. The History of Chinese Musical Bells. 4. Origins and Early Development. 5. Perfection and Decline -- Pt. III. Musical Performance and Musical Theory. 6. Playing the Bells. 7. The Tone Measurements and Their Interpretation. 8. Musical Theory through the Zeng Inscriptions. 9. Music Suspended: Tone Theory and Its Political Ramifications -- Appendix 1: Bibliographical List of Archaeological Sites -- Appendix 2: A Comprehensive, Typologically Arranged List of Chinese Musical Bells -- Appendix 3: Bells from the Zhou Peripheries -- Appendix 4: Tone Measurements. |
|
schema:additional |
aat:300195187 |
schema:identifier →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb5>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "260597" |
schema:about →
<ne6dd1e38ef584f548c9e76c0bcda5cfdb3>
|
schema:alternate |
"Bells--China" |