schema:name "Invenit, incisit, imitavit"
schema:creator Knaus, Gudrun
schema:about Raffael
Raimondi, Marcantonio
prenten
receptie
reproductiegrafiek
tekeningen
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schema:abstract "Until the founding of the public museum in the 18th century, the works of Raphael were known to other artists almost exclusively from their transmission in etchings. Among these, the works of Raphael's contemporary Marcantonio Raimondi and his atelier were a critical factor in his reception. This publication examines Raimondi's graphic art as a mediator for Raphael's work and an impetus for creative interest."@en
schema:identifier <n5965d588e64048eba809c33f7604b7f6b4>
schema:inLanguage "ger"
schema:subjectOf <n5965d588e64048eba809c33f7604b7f6b5>
schema:temporalCoverage "1510-1700"
schema:workExample Invenit, incisit, imitavit: die Kupferstiche von Marcantonio Raimondi als Schlüssel zur weltweiten Raffael-Rezeption 1510-1700

schema:about
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schema:alternateName "Influence (Literary, artistic, etc.)"

schema:about
<n5965d588e64048eba809c33f7604b7f6b3>

schema:alternateName "Engraving, Italian--16th century"

schema:subjectOf
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schema:text Methodische Grundlagen -- Die Zusammenarbeit von Raffael und Raimondi -- Kupferstiche als künstlerische Vorbilder -- Die Rezeption der Kupferstiche Marcantonio Raimondis -- Parmigianino -- Das italienische Skizzenbuch von Anthonis van Dyck -- Nicolas Poussin und Raimondi -- Rembrandt und Raimondi -- Arten der Aneignung von Kupferstichen -- Schlussbemerkung: die Bedeutung der Kupferstiche Marcantonio Raimondis als internationale Vermittler der Bildschöpfungen Raffaels.
schema:additionalType aat:300195187

schema:identifier
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schema:propertyID "NL-AmRIJ"
schema:value "260122"

schema:about
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schema:alternateName "Engraving, Italian"

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