Picture titles
| schema:name | "Picture titles" |
| schema:creator | Yeazell, Ruth Bernard |
| schema:author | Yeazell, Ruth Bernard |
| schema:about | kunstgeschiedenis |
| kunstwerken (als object) | |
| schilderijen (als object) | |
| titels | |
| <ncc434f4e19654473a940f8803259e4d0b1> | |
| <ncc434f4e19654473a940f8803259e4d0b2> | |
| schema:abstract | "Shows how the practice of naming Western paintings developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork."@en |
| schema:identifier | <ncc434f4e19654473a940f8803259e4d0b3> |
|
schema:in |
"eng" |
|
schema:subject |
<ncc434f4e19654473a940f8803259e4d0b4> |
|
schema:work |
Picture titles: how and why Western paintings acquired their names |
schema:subjectOf →
<ncc434f4e19654473a940f8803259e4d0b4>
| schema:text | Naming and circulating : middlemen. Before titles ; Dealers and notaries ; Early cataloguers ; Academics ; Printmakers ; Curators, critics, friends--and more dealers -- Reading and interpreting : viewers. Reading by the title ; The power of a name ; Many can read print ; Reading against the title -- Authoring as well as painting : artists. The force of David's Oath ; Turner's poetic Fallacies ; Courbet's Studio as manifesto ; Whistler's Symphonies and other instructive Arrangements ; Magritte and The use of words ; Johns's No and the painted word. |
|
schema:additional |
aat:300195187 |
schema:about →
<ncc434f4e19654473a940f8803259e4d0b2>
|
schema:alternate |
"Painting" |
schema:about →
<ncc434f4e19654473a940f8803259e4d0b1>
|
schema:alternate |
"Titles of works of art" |
schema:identifier →
<ncc434f4e19654473a940f8803259e4d0b3>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "250803" |