Owning the past

<https://id.rijksmuseum.nl/300239047>

schema:CreativeWork
schema:name "Owning the past"
schema:creator Guilding, Ruth
schema:about beeldhouwkunst
collectievorming
klassieke oudheid (herleving)
Engeland
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schema:identifier <n2df06826f0564dbcae8dbf843bfa06ddb3>
schema:inLanguage "eng"
schema:subjectOf <n2df06826f0564dbcae8dbf843bfa06ddb4>
schema:workExample Owning the past: why the English collected antique sculpture, 1640-1840

schema:about →
<n2df06826f0564dbcae8dbf843bfa06ddb2>

schema:DefinedTerm
schema:alternateName "Sculpture, Classical--Collectors and collecting"

schema:about →
<n2df06826f0564dbcae8dbf843bfa06ddb1>

schema:DefinedTerm
schema:alternateName "Sculpture, Classical--Collectors and collecting--England--History"

schema:identifier →
<n2df06826f0564dbcae8dbf843bfa06ddb3>

schema:PropertyValue
schema:propertyID "NL-AmRIJ"
schema:value "239047"

schema:subjectOf →
<n2df06826f0564dbcae8dbf843bfa06ddb4>

schema:Statement
schema:text Annexing history: Lord Arundel, Lord Pembroke and their ancient marbles -- Atavism in a Palladian frame: myths of ancestry and new Romans -- Temples of liberty and other polemics -- Buying (and selling) taste -- Competing for reputation -- A partial enlightenment -- The connoisseurship of libertinism: a diversion -- Recreating the antique as neoclassical ideal -- Memorials, souvenirs and speaking stones -- The romantic museum: antique sculpture in the public realm.
schema:additionalType aat:300195187

Inverse relations

[ .. ] → schema:exampleOfWork → Owning the past

Owning the past: why the English collected antique sculpture, 1640-1840schema:ProductModel
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