Religious poverty, visual riches
schema:about →
<n97109aa514a94cf780e54d37bc23d95eb5>
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schema:alternate |
"Christian art and symbolism--Italy, Central--Medieval, 500-1500" |
schema:about →
<n97109aa514a94cf780e54d37bc23d95eb4>
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schema:alternate |
"Architecture and society--Italy, Central--History--To 1500" |
schema:about →
<n97109aa514a94cf780e54d37bc23d95eb3>
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schema:alternate |
"Art and society--Italy, Central--History--To 1500" |
schema:identifier →
<n97109aa514a94cf780e54d37bc23d95eb6>
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schema:property |
"NL-AmRIJ" |
| schema:value | "234397" |
schema:about →
<n97109aa514a94cf780e54d37bc23d95eb2>
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schema:alternate |
"Dominican architecture--Italy, Central" |
schema:subjectOf →
<n97109aa514a94cf780e54d37bc23d95eb7>
| schema:text | The Salve Regina Procession and the Screen -- The Crocifixo Grande -- "Whose Image Is This?" The Virgin and the Ecclesia Laicorum -- Dominican Sancti and Beati in the Ecclesia Laicorum -- The Friars within the Choir Enclosure -- Choir Books before 1300 -- The Polyptych on the High Altar after 1300 -- The Adoration of the Cross: Men, Women and the Choir Enclosure -- Cloister and Chapter House: Images of the Order, for the Order -- Dominicans and the Personal Possession of Paintings -- Lay Burials and the Architectural Spaces of S. Caterina, Pisa -- Altar, Chapel and Altar-chapel -- Creating Images for Altars: Friars and Laypeople Working Together -- Wall Paintings in the Ecclesia Laicorum: Order or Disorder? -- Sharing the Walls and Windows of the Cappella Maggiore -- S. Maria Novella: A Case Apart? |
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schema:additional |
aat:300195187 |
schema:about →
<n97109aa514a94cf780e54d37bc23d95eb1>
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schema:alternate |
"Church decoration and ornament--Italy, Central--History--To 1500" |