| schema:name | "Art forgery" |
| "History of a modern obsession" | |
| schema:creator | Lenain, Thierry |
| schema:about | beeldende kunst |
| vervalsingen | |
| <n366a0bd676ab4e60a5d7b28255b1873cb1> | |
| <n366a0bd676ab4e60a5d7b28255b1873cb2> | |
| <n366a0bd676ab4e60a5d7b28255b1873cb3> | |
| schema:abstract | "In this volume, Thierry Lenain charts the changing status of art forgery from the time of its appearance in the Renaissance--when it was initially hailed as a true artistic feat--to its condemnation as the art crime par excellence. Rather than suggesting new methods of detection, it offers a genealogy of faking, along with an examination of the anxious, even neurotic reactions triggered in the modern world by its occurrence."@en |
| schema:identifier | <n366a0bd676ab4e60a5d7b28255b1873cb4> |
|
schema:in |
"eng" |
|
schema:subject |
<n366a0bd676ab4e60a5d7b28255b1873cb5> |
|
schema:work |
Art forgery: the history of a modern obsession |
schema:about →
<n366a0bd676ab4e60a5d7b28255b1873cb1>
|
schema:alternate |
"Art--Forgeries--History" |
schema:about →
<n366a0bd676ab4e60a5d7b28255b1873cb3>
|
schema:alternate |
"Art--Expertising" |
schema:identifier →
<n366a0bd676ab4e60a5d7b28255b1873cb4>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "212217" |
schema:about →
<n366a0bd676ab4e60a5d7b28255b1873cb2>
|
schema:alternate |
"Pictures--Copying--History" |
schema:subjectOf →
<n366a0bd676ab4e60a5d7b28255b1873cb5>
| schema:text | The symptoms of an obsession -- Before the age of art forgery -- Before the age of the obsession with art forgery -- Art forgery as the connoisseur's nightmare -- Conclusion: Fakes and the end of the world. |
|
schema:additional |
aat:300195187 |