Aesthetic strategies of the floating world
schema:about →
<nb852152f521444fbb9ba6bd8d4624286b1>
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schema:alternate |
"Arts, Japanese--Edo period, 1600-1868" |
schema:isPartOf →
Japanese visual culture,
| schema:name | "Japanese visual culture," |
schema:subjectOf →
<nb852152f521444fbb9ba6bd8d4624286b5>
| schema:text | Invoking the Spirit of Antiquity -- Ukiyo and the Edo Floating World -- The Floating World in Edo Society -- The Fluvial Dynamics of a Sub-culture -- Print Titles: An Index of Early Modern Japanese Cultural History -- The Structure of Yatsushi -- Furyu, the Ideal of Elegance -- Yatsushi and Furyu in Print Titles -- Encoding Yatsushi in Chinese -- Mitate and Comic Linked Verse -- Nit-picking (ca. 1645) -- The Cypress Pillar (1697) -- Mitate and Illustrated Books -- Santo Kyoden -- Application to Ukiyo-e -- What Were Actor Critiques? -- The Syntax of Mitate -- Japanese Art and Thematic Linking -- Application to Ukiyo-e -- Rounding Out the Definition -- Surveying the Eight Views -- Ukiyo-e for the Genuine Kabuki Fan -- Warriors Matched with Poets -- An Elliptical Mitate Print Title -- Sakuradawa for the Floating World -- Stylishly Viewed as No Chants -- Five Colored Ink Sticks, with Style -- The Floating World's Responses to Classical Culture -- The Legacy of a Meiji Intervention -- Learning from a Popular Art Form. |
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schema:additional |
aat:300195187 |
schema:about →
<nb852152f521444fbb9ba6bd8d4624286b2>
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schema:alternate |
"Aesthetics, Japanese" |
schema:identifier →
<nb852152f521444fbb9ba6bd8d4624286b3>
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schema:property |
"NL-AmRIJ" |
| schema:value | "211984" |