Through amateur eyes
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<n9068e23a220a443fba8b6ec7564f10e1b3>
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"Vernacular photography--Germany--History--20th century" |
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<n9068e23a220a443fba8b6ec7564f10e1b6>
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"World War, 1939-1945--Photography" |
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<n9068e23a220a443fba8b6ec7564f10e1b7>
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"NL-AmRIJ" |
| schema:value | "206360" |
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<n9068e23a220a443fba8b6ec7564f10e1b2>
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"World War, 1939-1945--Pictorial works--Destruction and pillage--Germany" |
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<n9068e23a220a443fba8b6ec7564f10e1b5>
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"Germany--Social conditions--1933-1945" |
schema:about →
<n9068e23a220a443fba8b6ec7564f10e1b1>
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"Germany--Sources--History--1933-1945" |
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<n9068e23a220a443fba8b6ec7564f10e1b4>
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"World War, 1939-1945--Sources--Germany" |
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<n9068e23a220a443fba8b6ec7564f10e1b8>
| schema:text | Introduction: alternate perspectives from Nazi Germany. - 1. Witnessing from a distance, remembering from afar: how to see amateur images. - 2. On the Eastern Front with the German army. - 3. The privilege and possibility of color: the case of Walter Genewein's photographs. - 4. Europe at war in color and motion. - 5. At home, at play, on vacation with Eva Braun: from the Berghof to YouTube and the imperative to remember. |
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aat:300195187 |