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schema:text Problems of the ancient to medieval transitional period in Japanese art history / Hamada Takashi -- Problems in Buddhist painting of the Late Heian period / Sekiguchi Masayuki -- Nobuzane and Gotoba In / Maribeth Graybill -- Muqi's use of Chinese models in the "Kannon, Monkey and Crane Triptych" / Ogawa Hiromitsu -- Chao Meng-fu: tradition and self in the Early Yuan / John Hay -- Zen painting and calligraphy in the transition to the Early Edo period / Stephen Addiss -- Buddhist sculptors of the transitional phase from the Late Edo to Jeiji periods / Satō Akio -- Pictorial representation of the Late Edo to Meiji periods / Sakamoto Mitsuru -- Trends in Early Muromachi period Japanese-style (Wayō) painting and their role in the evolution of Kinpekiga ("Gold-and-blue painting") / Yoshida Yūji -- Some problems of Shigajiku-type ink landscape painting: picture-viewing through written words, ca. 1400-1480 / Shimizu Yoshiaki -- From Oguri Sōtan to Kano Masanobu / Kawai Masatomo -- The social context of the establishment of the Kano school / Tsuji Nobuo -- Stylistic changes in Buddhist sculpture in Early Unified Silla / Kang Woo-bang -- Problems in the transition from Nara to Heian sculpture: the beginnings of wood sculpture / Konno Toshifumi -- Trends in sculpture at the time of the establishment of the pure land sects / Miyake Hisao -- Open discussion.
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schema:alternateName "Art, East Asian--Themes, motives--Congresses"

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