schema:about
<n077af06be9cf4019ba0b4435892e7ec6b2>

schema:alternateName "Human beings in art"

schema:identifier
<n077af06be9cf4019ba0b4435892e7ec6b3>

schema:propertyID "NL-AmRIJ"
schema:value "205560"

schema:about
<n077af06be9cf4019ba0b4435892e7ec6b1>

schema:alternateName "Art and society--China--History--17th century"

schema:subjectOf
<n077af06be9cf4019ba0b4435892e7ec6b4>

schema:text Introduction. Linking Ming-Qing aesthetic changes with the economic setting -- The authenticity of emotion (Qing) : Chen's romance drama illustrations and paintings of beautiful women -- The vernacular voice in Chen's water margin playing cards -- Expanded frames : the late Ming print market -- The sage and the self : Chen's late-period eremitic figures -- Chen's painting practice : production, replication, exchange -- The divergence of profit and virtue : Chen Hongshou's venerating antiquity playing cards -- Conclusion. Reinventing classical values in a commercial context -- List of figures -- Figures.
schema:additionalType aat:300195187

Inverse relations

Download as: