Rethinking the Baroque
schema:about →
<na934d67c860846e4b2c77de290688e55b2>
|
schema:alternate |
"Art--Historiography" |
schema:identifier →
<na934d67c860846e4b2c77de290688e55b3>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "202252" |
schema:about →
<na934d67c860846e4b2c77de290688e55b1>
|
schema:alternate |
"Art, Baroque" |
schema:subjectOf →
<na934d67c860846e4b2c77de290688e55b4>
| schema:text | The Baroque: the grit in the oyster of art history / Helen Hills -- On sculptural relief: Malerisch, the autonomy of artistic media and the beginnings of Baroqe studies / Alina Payne -- Ottoman Baroque: the limits of style / Howard Caygill -- Discomfited by the Baroque: a personal journey / Thomas DaCosta Kaufmann -- Reframing the Baroque: on idolatry and the threshold of humanity / Claire Farago -- Nicholas Hawksmoor's drawing technique of the 1690s and John Locke's Essay concerning human understanding / Anthony Geraghty -- The real in the Rococo / Glenn Adamson -- Benjamin and the Baroque: posing the question of historical time / Andrew Benjamin -- Baroque matters / Mieke Bal -- The Baroque fold as map and as diagram / Tom Conley. |
|
schema:additional |
aat:300195187 |